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1. Colorfinale edits not in exported video final cu pro pro#
2. Colorfinale edits not in exported video final cu pro software#

Open the project again in FCPX and render your video. Render them at a higher quality (how high is up to you) and overwrite the clips in "Edit Media" Once you're satisfied with your edits, go back into Resolve and perform the final color grades of the clips you wound up actually using in your video. Import those clips from the "Edit Media" folder into FCPX and perform your edits. The format and codec you use are up to you, but for editing I use 422 proxyĮnsure that you export your clips using the source filename and save to a folder titled something like "Edit Media" or whatever you'd like Apply a Blackmagic film to rec709 LUT and perform some basic gradesĮxport as individual clips.Add all clips to my timeline (their order doesn't matter).I know there are ways to do this using XML, but I've run into issues with that when I segment a larger clip in FCPX and then bring it back to resolve it will then have each of those clips as individuals, instead of the one larger clip. This is my workflow, since I always shoot in RAW with the Blackmagic Cinema Camera. Which NLE do you prefer? Let us know in the comments.Use Resolve, it is far superior to FCPX for grading. I’m sure I’ll still edit in Premiere every now and then, but FCPX has won me over and is now my NLE of choice. So much, in fact, that I’ve been starting all my new projects with the program. I’ve been pleasantly surprised by how much I’ve enjoyed editing in FCPX. Yes, there are some things that bother me about FCPX, like the magnetic timeline, but those usually end up being user errors that I can easily find solutions for. Tick the box that says Delete Render Files. Honestly, that’s really the only con that I’ve found. Navigate on the top menu to File > Delete Generated Project Files. Yes, I could move over to Motion, but let’s not get crazy here. I had become so accustomed to dynamic linking compositions within Premiere. The issue has simply been getting used to a less efficient workflow. It hasn’t been a huge issue since I can still use AE and just import the exported compositions. That aside, while working in FCPX over the past couple of months, I have missed dynamic linking with After Effects. In addition to the plugin, there are also great resources for learning Color Finale. It is a little aggravating that you have to pay $150 for color tools that pretty much come standard in Premiere, but it is well worth the purchase. However, Color Finale offers professional color grading in FCPX. The built-in color tools of FCPX are a little sub-par. The one that I found the most beneficial was Color Finale by Color Grading Central. There are some great third-party plugins for FCPX. When you need to export multiple videos very quickly, this becomes a very useful feature. It was extremely useful to be able to continue editing another project during an export without having to send to another program like Media Encoder - as you would have to with Premiere. The background rendering feature is, simply put, awesome. This is what I paid the most attention to while working in FCPX.įrom my first export, I recognized noticeable speed increases over exporting the same project in Premiere that were comparable to similar tests I had seen online.

Colorfinale edits not in exported video final cu pro software#

Apple hardware and software working efficiently together make a great combination. This was the biggest selling point to me to make the switch. In my previous post, you can see video comparisons of FCPX to Premiere based on speed. It’s been a surprisingly useful tool for my editing process. I find myself using it frequently to minimize and maximize timeline sizes, import footage, and a variety of other uses. This tool, which I once considered super gimmicky, has become part of my usual toolset.

Oddly enough, when working in Premiere, I would find myself reaching for the Touchbar far more often than I expected. Over the last few months, I’ve been bouncing back and forth between Premiere and FCPX, simply because I had older projects in Premiere that I had been working on. I’ll detail some of the reason why I like and dislike the platform. Granted, there still were a few matters that I didn’t enjoy about the NLE, but overall it was a good experience. To be honest, I liked working in FCPX far more than I anticipated.

Colorfinale edits not in exported video final cu pro pro#

Switching from Adobe Premiere Pro did present some challenges however, the transition was not as difficult as I had imagined - especially compared to FCPX’s initial release. Since then, I have been using and learning Final Cut Pro X. You can read that article here for more detail on why I was considering the switch. Here’s why.Ī couple months ago, I posted an article about how I was considering switching to FCPX. Do one of the following: Choose File > Share > Export File (or press Command-E). After two months with FCPX, I have decided to make the switch from Premiere. For more information about optimized and proxy media, see Control playback quality in Final Cut Pro.